CONTACT:

WENDY GRICE
570-328-8554

GARRY GRICE
570-328-5864

EMAIL:
gwgrice@comcast.net
LESSONS / COACHING FOR PROFESSIONALS
LESSONS & COACHING FOR PROFESSIONAL SINGERS

Garry has performed over 50 roles, including; Otello, Radames, Ernani, Manrico,
Canio, Jose, Hoffman, Erik, Max, Florestan and Bacchus for NY City Opera,
Milwaukee Florentine, Baltimore Opera, Des Moines Metro Opera, Calgary Opera,
Saarbruecken State Theater, St. Gallen, Heidelberg, Trier and Coburg.

In addition to Mr. Grice's extensive performing career, he has been on the faculty at
Washington State U., University of Missouri Kansas
City Cons., Indiana University South Bend and the University of Notre
Dame. He has had private studios in NYC, Munich, and also in
Switzerland.

Garry Grice will be teaching in North Central Indiana in 2015

PHONE:  570-328-5864   EMAIL:  gwgrice@comcast.net
WEB: www.griceartists.com   
* Accompanist Included
Singers with which
Garry has performed
include
; Elena Cotrubas,
Silvia Sass, Marissa Galvani,
Katia Ricciarelli,
Ashley Putnam, Dolora Zajik,
Brigitte Fassbaender, Adria
Firestone, Gail Gilmore,
Jerry Hadley, Carlo Cossutto,
Giacomo Aragall, Ragnar
Ulfung, Wolgang Brendl,
Matteo Manuguerra, Richard
Fredricks, Robert Hale, James
Dietsch, Thomas Tipton, Dario
Fabbri, Hermann Prey, Robert
McFarland, Samuel Ramey,
Justino Diaz, Ruggiero
Raimondi, Richard Cross,  and
Vladimir Vaneev.
Garry's Training (Schools, Teachers,
Coaches, Conductors, Masterclasses,
Workshops):
Cincinnati Conservatory, Hubert Kockritz,
Milan, Italy, Adelaide Saraceni Munich,
Germany, James King Carlos Kleiber, George
Pretre, Christian Badea, Heinrich Bender,
Reinhard Petersen, Robert Larsen, Brian
Salesky, Paul Nadler, Anton Guadagno.
A STATEMENT FROM THE TEACHER

I have had the good fortune to study with some excellent teachers and
work with some first rate conductors, coaches and colleagues. The
experience that I have gained needs to be passed on to the next
generation and every student is a exciting new opportunity. I seek to
build onto what a singer already has learned and give special
attention to bel canto approach, good breath management and a
legato line. Another important facet is to help singers find the right
repertoire or fach. I work rapidly to address issues and work really
well in master class situation as well as normal studio teaching.